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Now a major motion picture : film adaptations of literature and drama  Cover Image Book Book

Now a major motion picture : film adaptations of literature and drama / Christine Geraghty.

Summary:

"Going beyond the process of adaptation, Geraghty is more interested in the films themselves and how they draw on our sense of recall. While a film reflects its literary source, it also invites comparisons to our memories and associations with other versions of the original. For example, a viewer may watch the 2005 big-screen production of Pride and Prejudice and remember Austen's novel as well as the BBC's 1995 television movie. Adaptations also rely on the conventions of genre, editing, acting, and sound to engage our recall - elements that many movie critics tend to forget when focusing solely on faithfulness to the written word."--BOOK JACKET.

Record details

  • ISBN: 9780742538207 (cloth : alk. paper)
  • ISBN: 0742538206 (cloth : alk. paper)
  • ISBN: 9780742538214 (pbk. : alk. paper)
  • ISBN: 0742538214 (pbk. : alk. paper)
  • Physical Description: viii, 223 pages : illustrations ; 23 cm.
  • Publisher: Lanham : Rowman & Littlefield Publishers, [2008]

Content descriptions

Bibliography, etc. Note:
Includes filmography: p. 199-202.
Includes bibliographical references (p. 203-211) and index.
Formatted Contents Note:
Acknowledgments -- Introduction -- 1. Narrative and characterization in classic adaptations : David Copperfield, Oliver Twist, and Pride and Prejudice -- 2. Art cinema, authorship, and the impossible novel : adaptations of Proust, Woolf, and Joyce -- 3. Tennessee Williams on film : space, melodrama, and stardom -- 4. Feminism, authorship, and genre : adaptations of the novels of Edna Ferber and Pearl S. Buck -- 5. Revising the Western : movement and description in The Last of the Mohicans and Brokeback Mountain -- 6. Space, setting, and mobility in Old New York : The Heiress, The House of Mirth, and Gangs of New York -- Conclusion -- Filmography -- Selected bibliography -- Index -- About the author.
Subject: Film adaptations > History and criticism
Adaptations cinématographiques > Histoire et critique.
Adaptations cinématographiques > Histoire et critique.
Film > Literatur > USA.
Literatur > Film > Grossbritannien.
Film > Literatur > Grossbritannien.
Literatur > Film > USA.
Literatur.
Verfilmung.
Literaturverfilmung.
Filmästhetik.

Available copies

  • 1 of 1 copy available at Sage Library System. (Show)
  • 1 of 1 copy available at Treasure Valley Community College. (Show)
  • 1 of 1 copy available at Treasure Valley Community College Library.

Holds

  • 0 current holds with 1 total copy.
Show All Copies
Location Call Number / Copy Notes Barcode Shelving Location Circulation Modifier Status Due Date Courses
Treasure Valley Community College Library 791.436 G31n (Text) 32220000993382 Adult Non-Fiction Available -

Electronic resources

Version of Resource: http://catdir.loc.gov/catdir/toc/ecip0716/2007017433.html

  • Table of contents only


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24510. ‡aNow a major motion picture : ‡bfilm adaptations of literature and drama / ‡cChristine Geraghty.
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504 . ‡aIncludes filmography: p. 199-202.
504 . ‡aIncludes bibliographical references (p. 203-211) and index.
50500. ‡tAcknowledgments -- ‡tIntroduction -- ‡g1. ‡tNarrative and characterization in classic adaptations : David Copperfield, Oliver Twist, and Pride and Prejudice -- ‡g2. ‡tArt cinema, authorship, and the impossible novel : adaptations of Proust, Woolf, and Joyce -- ‡g3. ‡tTennessee Williams on film : space, melodrama, and stardom -- ‡g4. ‡tFeminism, authorship, and genre : adaptations of the novels of Edna Ferber and Pearl S. Buck -- ‡g5. ‡tRevising the Western : movement and description in The Last of the Mohicans and Brokeback Mountain -- ‡g6. ‡tSpace, setting, and mobility in Old New York : The Heiress, The House of Mirth, and Gangs of New York -- ‡tConclusion -- ‡tFilmography -- ‡tSelected bibliography -- ‡tIndex -- ‡tAbout the author.
5201 . ‡a"Going beyond the process of adaptation, Geraghty is more interested in the films themselves and how they draw on our sense of recall. While a film reflects its literary source, it also invites comparisons to our memories and associations with other versions of the original. For example, a viewer may watch the 2005 big-screen production of Pride and Prejudice and remember Austen's novel as well as the BBC's 1995 television movie. Adaptations also rely on the conventions of genre, editing, acting, and sound to engage our recall - elements that many movie critics tend to forget when focusing solely on faithfulness to the written word."--BOOK JACKET.
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